This site requires Javascript to be turned on. Please enable Javascript and reload the page.

Here Comes the Sun: Deconstructed Student Essays

Land Price Increase

This page has paths:

Contents of this path:
4. Briefing Paper, Carter and Manley “This Briefing paper assesses the purpose of President Jimmy Carter's [elect, 1977-1981] upcoming visit to Jamaica. Carter will show, by the willingness of the U.S. to work with the government of Prime Minister Michael Manley [elect, 1972-1980, 1989-1992], that the U.S. accepts political diversity in the Caribbean, and acknowledges Jamaica's role in North-South dialogue.” Based on this document, government distrust may not be unwarranted. There are multiple inconsistencies that appear, possibly implying governmental corruption or coercion. First of all, the United States’ presence in Jamaica suggests that the country is a gateway to access other Caribbean democracies, implicating a belief in Island insularity. Secondly, the visit itself comes during a period in which Jamaica is restabilizing after experiencing crisis economically and politically. It appears that America may be visiting Jamaica to ensure the country remains a “democracy” to serve their imperialist interests. It’s possible that the visit is planned to surveil Jamaica’s leadership and policies to prevent alignment with Cuba’s “right-wing extremism.”
5. Jamaica at the MoMA Digital Print, created by Arlene Hoffman in 1980 entitled Jamaica. The text on the bottom of the print says, “We’re More than a beach. We’re a Country.” This print made me uncomfortable, not only because it’s held by the MoMA in New York, but also because it features women in bathing suits — one in the nude — clearly laying on the beach. The words at the bottom of the print do little to deter from the imaging of the women. I have spoken thoroughly about the gendered aspects of the Tourism Industry, and how women’s bodies are made available to be penetrated and explored, therefore; for this primary source I will go directly to Dennis-Benn’s novel to consider the theoretical work it does to dismantle the authority and prevalence of this kind of images.

Contents of this path:

In the image above, the narrator explains that Thandi, Margot’s younger sister, is now unable to access an area where she once played as a child. The “NO TRESPASSING” sign blocking the area off, symbolizes the Jamaican populace’s restricted access to the “Paradise” that they’ve helped create. The actions of the developers and hoteliers displacing them from their homes and industries spotlight the expense at which “Paradise” is being built. Additionally, the excerpt underlines the widespread exploitation of the land and resources, implying that the experiences of River Bank and Little Bay residents are not isolated but rather a part of a larger pattern of displacement.