Here Comes the Sun: Deconstructed Student Essays

Countering the Colonial Narrative

Now understanding the colonial renderings of island geographies, the ways in which Nicole Dennis-Benn counters them in Here Comes the Sun can be explored. Being that Dennis-Benn is Jamaican-born, she has first-hand experience and understanding not only of the island geographies of Jamaica but also the geography of the Caribbean as a whole. She uses this understanding to counter the colonial and neocolonial viewpoints of the Caribbean islands through various themes in the novel. The first way she accomplishes this is by addressing the dependency of those native to the Caribbean islands on the tourism industry. The neocolonialist perspective paints tourism in the Caribbean as an economic lifeline for the Caribbean people, making it appear to be a wholly welcomed industry by those involved. What the neocolonialist rendering fails to disclose is the dependency of the locals on the industry and the difficulties they face as a result. Humility and community are also explored in the novel. There are instances where characters emphasize the values of others and the community instead of solely acting upon their interests throughout the novel. The culture in River Bend, and more broadly the island of Jamaica as a whole contest the key principles of greed and selfishness that colonialism is grounded in. The third way in which a countering perspective of colonial renderings of island geographies is explored in Here Comes the Sun is through its exposure of homosexuality in Jamaica. Not until recently were the perspectives of members of the LGBTQ+ community taken into consideration in historical records because colonial renderings of island geographies neglected to tell this perspective. Further, Dennis-Benn sheds light on homophobia and its condemnation in the neocolonial systems of the Caribbean through the homosexual relationships present in the text. Further, understanding the context of Here Comes the Sun as it relates to I Tituba, Louisiana, and Mama Day is crucial. More specifically, the rebellions by the maroons in I Tituba and the independence held by those in Mama Day work in conjunction with Dennis-Benn's work to further explore the disruption of traditional narratives regarding island geographies. 

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