What an Ugly Cover.

I haven’t been very vocal in class or on the blog this week, Portrait Of Jennie just doesn’t interest me that much. It’s not even a matter of whether I like it or hate it, I just find the whole art/soulmate struggle to be not worth arguing about. Everyone in class on Friday seemed to have very different definitions of what a soul mate is. If we can’t all get on the same page together, how can we progress. I’m just anxious to get past this and arrive at Vertigo. I did like seeing Joseph Cotten in a movie that hasn’t stayed in the collective cultural consciousness the way that Citizen Kane, The Magnificent Ambersons, Shadow of a Doubt, or The Third Man has. It allows a different angle of the actor. My favorite thing in the film is when they’ll turn the shot into a painting with what I guess is a filter. But in terms of plot, I don’t even feel like approaching it.

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I Don’t Count this as a Substantial Post…

but I wouldn’t be satisfied unless I showed it.

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Look At Me When I’m Talking To You….Or When You’re Talking To Me.

 

I really enjoyed Dr. Campbell’s explanation on the importance of eye contact today. It’s such a seemingly small part of communication that we take for granted, but it’s probably one of the most important pieces of body language we use. A look can say it all, whether it be love or hate, embarrassment or confidence, sincerity or apathy. Morris manages to cut himself out as the middleman of the interviews with his technique and it truly adds to the experience. We briefly mentioned in our group presentation how Morris pulls you in by setting up an interview in which the subject is talking directly to you. Dr. Campbell described the interrotron abit today, but I recall this picture that I found. It may actually make the concept more complicated, but here goes nothing.

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Naked Mole Rat Cam!

Live! 24/7! Even on holidays! See what metropolitan naked mole rats do in their spare time. Scroll halfway down the page to see some of the action.

http://nationalzoo.si.edu/Animals/SmallMammals/default.cfm?Cam=SM1

I’m sure Ray Mendez endorses it.

Just another connection I saw with an earlier Morris film. Dave Hoover points out that he uses the chair because a lion has a one track mind. Thank goodness he wasn’t dealing with the man outside the store in Vernon, Florida who has a five track mind, because that guy could take him down!

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One last reminder

YEAH

I figure since I presented today I deserve another ad for my show. Some of you wanted to know what we sound like. Here’s your sample: www.myspace.com/humungoginormous

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Slow, Expensive, and Entirely In Control

I read Johnny Cash’s autobiography a few years ago and really hooked into his retrospective take on his life and the people in it. He seemed to be without any personal judgement against people who had hurt him in the past. What I took from it was that you can’t fully understand anyone completely (“Nobody knows anybody, not that well.”) so your judgement is completely arbitrary. Since reading his book, I’ve tried to take on that same mindset and I consider it a real method for personal growth.

There’s a funny similarity to Errol Morris, because with each film that I watch, I begin to gain respect towards behavior that I can’t fully comprehend, and would have ridiculed at a younger age. Even with Vernon, Florida, the first time I just laughed, the second time I connected. With Fast Cheap and Out of Control, I was able to sit there and think, “It’s really wonderful that he can find happiness in naked mole rats.” It wouldn’t exactly be my choice, but I can respect it. The giggles of seemingly ridiculous vocations are gone. By the time we get to this film we’ve dealt with the Morris issues so much that the message just pops out. This is life, this is death, this is beauty and truth all rolled into one. It’s robots, it’s mole rats, it’s lions, it’s topiary animals and it’s whatever you want to do with your energy that makes it all worthwhile. 

Also according to the guy in Vernon, Florida, humans have a five track mind. Meanwhile, in this film, Dave Hoover confirms that lions only have a one track mind. Just an interesting point.

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Sometimes you just gotta sell yourself.

So this weekend, come see my band, Humungo Ginormous. It’ll be educational.  Thanks to my film geektitude, we reference the following movies in the lyrics: Frankenstein, Dracula, Butch Cassidy and the Sundance Kid, Texas Chainsaw Massacre, Halloween, Nightmare on Elm Street, The Day The Earth Stood Still, Star Wars, The Wild One, Rebel Without a Cause, Back to the Future, and Freaks (which we saw some of today).

Here’s the poster with the info:

Rock in a bookshop

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Phillip Glass

I just wanted to do a little post on the composer of The Thin Blue Line’sscore. I’m not an expert on music by any means, but Glass’ compositions, particularly the ones that he does for films, always project an inquisitive mood onto me as a listener. I do not think I’m alone with this, because Errol Morris seems to take that minimalist attitude and match it beautifully with films that incorporate the act of searching. The repetitive pattern with ever so slight variations in notes progressing is the aural act of someone closely examining a text over and over, looking for clues.

I first heard a Glass composition in the deeply hypnotic documentary Koyaanisqatsi. In that film, the music often matches all sorts of movement, both with the camera and with the subjects in front of the camera. Such a synchronized match can lull one into a daze. I have caught this film before while flipping channels and almost been late for class because of lost track of time.

It’s no surprise that later filmmakers implemented his rhythmic movements in ways similar to Morris. Examining most of his film work shows a majority of films where the search for truth is a large factor: The Truman Show (which he did not write specifically for but his work was used in), Secret Window, The Illusionist, and Candyman. I’m extremely excited that his next project will be Woody Allen’s latest drama Cassandra’s Dream. Cassandra? How can that not be about finding out truth? Who knows? Cassandra does. 

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Authentic Audacious Audio

This American Life: Death To Wacky – 3/20/98 Ira Glass notes as he exits the theatre after seeing Fast Cheap and Out of Control about how the marketing campaign passes the film off as “wacky.” As we’ve seen, Errol Morris’ movies are never just one thing, so the idea of trashing simplistic generalization to sell more tickets……sort of nice to hear. (Mentions my favorite film Brazil, along with Crumb being marketed as wacky.)

Fresh Air with Terry Gross – 1/5/04 Interview with Morris, mainly about The Fog of War. If you write your paper on the cognate “film” The Fog of War, listen to this 40 minute interview. Even if you don’t write your paper on this, listen to the interview. Morris sounds great even when he’s the one being interviewed. It really focuses on the historical importance of Robert S. McNamara, but it also gets at interviewing techniques.

“This I Believe”: Errol Morris – 5/2/05 Interesting anecdote from Morris’ childhood focusing on the importance of truth.

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***Woosh***

So I’m checking out the videos that Dr. Campbell nominated, and the EPIC 2014 and EPIC 2015 films are an absolutely fascinating projection of how news and media will operate with future mergers. It really borders on dystopia and while watching I didn’t know whether to be excited or terrified by the potential these companies hold. Hell, we’re already in a world where people can publish their thoughts and observations without the need for a publication, editors, or distribution deals.

The way the 20th century operated in terms of technology and how ideas are exchanged is quickly falling behind us. Just the other day a friend of mine was dropping off her old computer at a friends house. As I took a glance at it I said “Wow, that’s practically an antique.” It was from 2003, had a huge heavy monitor, and in a scant four years already is a vintage item.

Once again I find myself relating to the characters of Vernon, Florida. With this surging growth in online media representation, what is reality anymore? The very fact that these obscure people Morris interviewed now have hundreds of posts and observations about things they did 27 years ago….excuse me while my head explodes. Maybe I should try and be like them. I’ll sit around and wait while everyone else gets the latest media upgrades, new wifipods and the ability to have a three way conversation about going to the park on a sunny day. (That was the upbeat ending of EPIC 2015!? We’ve come soooo far.) Therefore, in a few years I’ll be in the middle of my own figurative swamp and I’ll be saying “You can’t trust the wiki. Everyone thinks the wiki has all the facts, but it don’t. I know, I just wiki’d it.”

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